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American Night by
Paul Graham is not about the glamorous gloom of
the after hours nor the exhilarating Bright
Lights Big City atmosphere. There are no lights
involved, but rather a subtle therefore powerful
depiction of American society as seen through
the eyes of an English-born photographer now
living in New York City. Graham has wandered
downtowns and residential areas alike,
juxtaposing the sprawling immaculate suburbs of
the American West and the rundown rat-infested
neighborhoods, transmiting the disparity between
social classes, the differences in their quality
of life expectations for the future. Instead of
focusing on the blatant differences, he develops
an elegant idea that goes far beyond the
perfectly balanced composition and pinpoint
lighting: the selection of less-obvious images
that we all encounter daily, almost
subconsciously, but that few of us take notice
of.
The obvious is a
big house with a nice spotless car parked in
front, printed in full color like a birthday
party picture.
The less obvious
is a solitary figure walking along a highway,
looking for scraps in a garbage bin or passing
by a line of car for sale that he'd never be
able to afford to buy, printed like it has been
washed, as if to obliterate it from sight.
The only time when
solitaries figures are printed in full color,
they are is in sharp crude-as-life light
situation.
A powerful
collection of images that brings together dreams
and reality, people with a future and those with
only a present.
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